- #SERUM SYNTH V. FABFILTER TWIN 2 SYNTH MOD#
- #SERUM SYNTH V. FABFILTER TWIN 2 SYNTH PATCH#
- #SERUM SYNTH V. FABFILTER TWIN 2 SYNTH SOFTWARE#
Like the filters, Diva’s oscillators are also modelled on classic hardware. All filters have modulation options and the traditional cutoff and resonance controls, but each has its character, quirks and options. At the same time, it should not confuse you with over-technical controls, but must be easy to set up and a joy to work with. A great reverb sounds natural and sits in the mix perfectly. (If you are interested, Urs wrote an in-depth blog post about ZDF.)ĭiva models five different filters found in classic hardware synthesizers. As one of the most used effects in the audio world, reverbs come in all forms and flavors. With ZDF, the delays normally produced when modelling analogue circuits are vastly reduced, resulting in a much more authentic resonance behaviour. A combination of realtime circuit simulation and zero delay feedback (ZDF) design gives Diva its remarkable sound. The filters are at the heart of Diva’s analogue sound.
#SERUM SYNTH V. FABFILTER TWIN 2 SYNTH PATCH#
This will subtly open and close the filter over time, adding small, evolving changes to the timbre.įinish the patch by adding a tiny bit of noise (8 o'clock is a good setting), which will add some grit to the sound.One spirit, many flavours Oscillators and Filters
#SERUM SYNTH V. FABFILTER TWIN 2 SYNTH MOD#
In the LFO section, set rate to 2.94Hz and the shape to triangle, and then raise the mod wheel slightly, to a value of around 0.05. Go to the wheel-mod section and activate the filter button, which will now allow us to modulate the filter with an LFO, setting the amount of modulation with the mod-wheel. Using Arturia Prophet V again, create another single-sawtooth oscillator patch with a long attack/release filter.
The "Rhubarb" synth patch has a simple single-sawtooth patch similar to the one we created for "Cliffs," but with some subtle modulation.
"Rhubarb" is a fan favourite from SAW II, and it explores similar ambient drone territory to that heard on "Cliffs." The rhythmically shapeless piece is based around a beautiful-sounding chord progression that is repeated throughout the entire song, without getting repetitive.
#SERUM SYNTH V. FABFILTER TWIN 2 SYNTH SOFTWARE#
For this article, I'll use Arturia Prophet V, a software emulation of the 1978 classic Sequential Circuits Prophet-5, a versatile go-to synth. The good news is that the core synth sounds are actually relatively simple, and can be created on any analog-style polyphonic synthesiser. A Yamaha CS-5 was also present during the album's recording, as James wrote the liner notes to the album directly on the actual synth, which was later sold at auction. An Oberheim Matrix-1000 is commonly rumoured to be the main synth on SAW II, mostly based on similarities to its presets. James' earlier work, the exact gear and samples used are shrouded in some degree of mystery. Selected Ambient Works Volume II has gone on to be highly influential to electronic and ambient musicians alike.Īs with much of Richard D. Most of the tracks were never given official names, and are instead commonly referred to by unofficial names based on pictures from the album's artwork. SAW II delves into dark ambient territory, with eerie soundscapes, drones, and repeating loops that approach the 10-minute mark. The album was a departure from Selected Ambient Works 85–92 in that it is largely beatless, dropping much of the techno stylings of its predecessor. Aphex Twin's Selected Ambient Works Volume II turns 25 today.
0 kommentar(er)
